斯蒂芬妮·梅尔的“暮光之城”系列小说毫无争议地成为文学史上最畅销的系列小说之一。梅尔重新界定了青年文学和现代人们对吸血鬼传说的认知,对流行文化和青少年读者产生巨大影响。本文从哥特女性主义理论来探索梅尔小说人物创作的缺陷,虽然女主人公贝拉在《破晓》中最终从人类变成吸血鬼,真正地成为独立自主的个体,但这个转变并不能弥补她之前极度缺陷的个性和所做的决定。 Stephanie Mel’s “Twilight” series of novels has undoubtedly become one of the best-selling series of novels in the history of literature. Mel redefined youth literature and the modern understanding of vampire legends and had a huge impact on popular culture and teenage readers. This article explores the defects in the character creation of Mel’s novels from the theory of Goth feminism. Although her heroine Bela eventually turned from human beings to vampire in “Dawn of Dawn”, she truly became an independent individual, but this change did not make up for her extreme The personality of the defect and the decision made.