时下,人们在谈论中国设计和设计教育时,表现出来的情形十分复杂。一种情形认为设计艺术来自西方,因此只要照着西方的路子走就行;另一种情形认为所谓设计教育不过就是工艺美术教育,只要把美术教育搞好了,设计教育自然也就到位了;还有一种情形是觉得无所谓,不管是西北风,还是东南风,反正是我行我素,更有极端者,为了与世界接轨或者与世界一体化,真是恨不能用英语来从事中国的设计创作。在这样的背景下,曾强的设计创作和他的中国设计教育立场显示出极端的重要性。我 Nowadays, when people talk about China’s design and design education, the situation shown is very complicated. In one case, the art of design came from the West, so long as the West followed the path of the West. In the other case, the so-called design education was nothing but the arts and crafts education. As long as the fine arts education was done, the design education was naturally in place. There is a situation that does not matter, whether it is the northwest wind, or southeast wind, anyway, is our own way, more extreme, in order to integrate with the world or with the world, really can not wait to engage in Chinese design and creation in English. In this context, Zeng Qiang’s creative design and his position in China’s design education show the extreme importance. I