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20世纪80年代以后的中国声乐艺术是传统美学和现代文化浸润下的产物,是传统中国音乐美学思想和西方音乐美学思想相碰撞而产生的艺术形式。仅凭借单一的美学思想和美学视角去分析和诠释中国声乐艺术是不全面和不科学的,并且中国和西方的美学体系和思想内涵还处于不断发展变化的过程。因此,文章试图从多侧面和多视角概括当下中国声乐艺术的美学特征。
The Chinese vocal music after the 1980s is a product of the infiltration of traditional aesthetics and modern culture and is an art form produced by the collision of traditional Chinese musical aesthetics and western musical aesthetics. It is neither comprehensive nor unscientific to analyze and interpret the vocal arts in China solely with a single perspective of aesthetics and aesthetics. Moreover, the aesthetic system and ideological connotation of China and the West are still undergoing constant changes. Therefore, the article attempts to summarize the aesthetic characteristics of contemporary Chinese vocal art from multiple perspectives and from multiple perspectives.