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毕业后,我生活在滨海城市秦皇岛,客居生活的漂逐感与青春迷惘的情绪也由此融渗在我的油画风景语言表述里。我的创作沿袭着几年前对于北方山水的顾盼和关注,对太行山、黄土高原壮美风景的宏大叙事,同时逐渐向都市工业风景的情绪里执笔批评,对山海关造船厂硕大的工业文明的痕迹与大型作业,一并在空寂、彷徨、草莽、旷达的风景写意里表达艺术认知里的心性,面对工业风景里一望无际的钢铁金属堆砌的旷野,在隆冬飓风里对峙着遥远而美丽的都市,激昂的情绪里袒露着年轻艺术家的锐气与敏感,游弋的心绪与莽然率真的大气融汇在一起,忧郁审美里的意志力与洒脱、飘逸的笔触写意,与夯实、浓重的色彩并存彰显在画布上,一并表达着焦灼情绪里工业文明的空寂豁然、魂魄茫然的油画风景。
After graduation, I live in the coastal city of Qinhuangdao, guest life bleak feeling and youthful confusion also melt in my oil painting landscape language expression. My creation followed a few years ago, the concerns and concern for the northern landscape, the Taihang Mountains, the magnificent scenery of the Loess Plateau grand narrative, and gradually to the urban industrial landscape emotionally criticism of the Shanhaiguan shipyard huge industrial civilization traces and Large-scale assignments express artistic connotations of the mind in the landscapes of emptiness, confusion, wilderness, and broad-mindedness. In the face of the endless steel-metal plowed wilderness in the industrial landscape, in the mid-winter hurricanes, they confront distant and beautiful cities, Passionate emotions bare the vigor and sensitivity of young artists, cruising mood and reckless rate of the atmosphere together, the melancholy aesthetic willpower and free and easy, elegant brushstrokes, with the compaction, strong color highlight coexist Canvas on the canvas, together with the expression of anxiety in the industrial civilization of the empty silence, soul dazed oil landscape.