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史家“实录”理论的精髓和真谛，在于关怀现实、写实求真。而小说既然“记正史之未备”，那么，史家“实录”原则也就合乎逻辑地成为小说所应遵循的创作原则。本文从两个方面论述了“实录”理论对明清小说的积极影响：第一，促使小说关注社会、贴近现实，快捷及时地描摹驳杂多色的社会现实生活；第二，史家“不虚美，不隐恶”，“善恶必书，妍媸毕露”的实录精神，促使小说人物形象由单色调向多色调演进，由定型化、绝对化向动态化、复杂性发展，并最终创造出具有高度个性化的、具有复杂性格结构的艺术典型。
The essence and essence of the theory of “Record Record” of historians lies in caring for the reality and realistic truth-seeking. Since the novel “Record of history is not prepared”, then the historian “Record” principle also logically become the novel should follow the principle of creation. This article discusses the positive influence of “Record-Record” theory on novels of Ming and Qing Dynasties in two aspects: first, to promote the novel to pay close attention to the society and close to the reality, so as to describe the miscellaneous and complex social real life quickly and promptly; secondly, , Not evil, “” good and evil must be books, Yan Yan Bi Lu "spirit of the record, prompting the character of the novel from monochromatic to multi-tone evolution from stereotyped, absolute to dynamic and complex development, and ultimately create a Highly personalized art complex with complex personality.