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自人类社会形成以来,有三条脉络构成了人类生存环境的发展史:即自然环境、社会体制环境以及符号环境。从历史学的角度来说,符号环境的变迁与发展成为研究人类生存环境的主要依据。当下,以文字符号为中心的理性文化形态已然日暮西山;而以视觉影 像为中心的感性文化形态,在当代电子传播科技的推动下,渗透到我们的方方面面,成为符号环境的主角。七十年前海德格尔曾 预言的“世界图像时代”已经到来。其意义已远远超过了文艺美学的范畴,从而向符号学、传播学、哲学、社会学等学科延伸。然 而,在这充斥着快感和愉悦的影像符号过度繁荣的景象背后,是否隐含人类文化的某种困境?值得我们作深度的追问和反思。
Since the formation of human society, three contexts have formed the history of human existence: the natural environment, the social system environment and the symbolic environment. From a historical perspective, the change and development of the symbolic environment has become the main basis for studying the living environment of human beings. Nowadays, the rational and cultural forms centered on writing symbols are already in the doldrums. However, the sensual cultural forms centered on visual images are infiltrated into all aspects of our country by the contemporary electronic communication technology and become the protagonists of the symbolic environment. Heidegger predicted 70 years ago that “The World Image Age” has arrived. Its significance has far exceeded the scope of literary aesthetics, which extends to the semiology, communication, philosophy, sociology and other disciplines. However, is there any implication of human culture hidden behind the spectacular images of pleasures and pleasures that flourish? It is worth our deep questioning and reflection.