在“荒诞的××”与“××的荒诞”这样主定语的调换所带来的词语间奇妙的化合反应中,我们选择了后者,而非前者。我们加重了“荒诞”的主体性,而看轻了”中国文娱圈”这个随时都可以被替换掉的修饰词。在这新春来临之际,我们回首一切可笑的同时是可悲的,发现生活竟是如此的不可思议,,因为所有的荒诞都是我们亲历亲为的 We chose the latter, not the former, in the fantastic compounding of the words resulting from the exchange of dominant terms such as “absurd ××” and “×× absurdity.” We aggravate the subjectivity of “absurdity,” and underestimate the “China Entertainment Circle,” a modifier that can be replaced at any time. At the dawn of this new year, we look back at all ridiculousness at the same time as deplorable, and found that life is so incredible, because all absurdity is our own celibacy