壮族八音是流行于壮族地区民间的一种器乐合奏形式,有南、北路之分且差异明显,这种差异性是否代表了一种文化流变脉络,是一个值得思考的问题。该文通过对壮族南北路八音异同点的文化分析,力图从大的文化背景下把握壮族八音,并反过来透视壮族八音文化的传播脉络。 Zhuang ethnicity is a form of instrumental ensemble popular among the Zhuang ethnic groups. It is divided into South and North Roads and shows obvious differences. Whether this difference represents a context of cultural change is a question worth considering. Through the cultural analysis of the similarities and differences between the eight voices of the Zhuang and Nan Bei Roads, the article attempts to grasp the eight tones of the Zhuang and Zhuang ethnic minorities from a large cultural background and, in turn, reveals the transmission context of the Zhuang ethnic music.