“生活是艺术创作的源泉”,这曾经是人们常谈的话题。感觉上,对这个话题存在着不同层面的认同与理解。我认为:它的生命力恰恰在于“生活”。在我经历了一次生活体验和对中国艺术的游历之后,这对我又有了一层新的涵意。我想,我的论题就从这里展开。 去年我去了西北,第一次踏上这片土地。对一个从未到过这里的人来说,真正打动你的是脚下这片黄土,以及人和时空在这片土地上留下的“痕迹”。 黄土是一种普通的地质现象。构成中国大陆西北部基本地貌,发源华厦文化的黄土地,几乎成了中国文化的代名词。黄土地也几乎成为孕育万物的图腾和象征。当然,黄土地最直接的意义还是土地本身。 “Life is the source of artistic creation,” which was once a topic of constant talk. Feeling, on this topic there are different levels of recognition and understanding. I think: its vitality lies precisely in “life.” After I experienced a life experience and the travel of Chinese art, it gave me another layer of new meaning. I think my thesis will start from here. Last year I went to the northwest and set foot on this land for the first time. For someone who has never been here, what really impresses you is the loess at this foot, and the “traces” of people and space left on the land. Loess is a common geological phenomenon. The yellow land which constitutes the basic landform in the northwestern part of China and originates in Huaxia culture has almost become synonymous with Chinese culture. The loess land has become almost a totem and symbol of all things. Of course, the most direct meaning of the yellow earth is the land itself.