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李渔在《闲情偶寄器玩部·箱笼篋笥》一章中,曾描述其游历福州时一件令他相当得意之事:“自不操斤,但善于指使,轻财尚友,雅人也。”李渔指使何人,能使他如此舒畅与欣慰?事情缘于一个福州产的雕漆匣子1670年(清康熙九年)庚戌仲秋,60岁的李渔行经福州,得此雕漆匣子。李渔设想以“有之若无”的方法,来改进雕漆匣子的“枢纽、关键”部分,以实现厘子结构功能与整体造型间的互融与完整。李渔将构意告诉福州雕漆师傅时,李渔却得到“如其可变,不自今日始矣”的冷落与反问。这种近乎“不可
Li Yu, in his chapter entitled ”Leisure and Leisure Activities and Box Cage 笥 笥,“ described one of the things that made him quite proud of his visit to Fuzhou: ” Ya people too. “Li Yu pointed to whom, so that he was so happy and pleased? Things originated in a carved lacquer box Fuzhou 1670 (Qing Emperor Kangxi nine years) Geng Zhong autumn, 60-year-old Li Yu through Fuzhou, the carved lacquer box. Li Yu envisaged to ”there is nothing “ method, to improve the carving lacquer box ”hub, key “ part, in order to achieve the structure and function of the structure and the overall shape between the mutual melting and integrity. Li Yu will be deliberately told Fuzhou carved master chef, Li Yu has been ”If its variable, not since the day before today,“ the neglect and rhetorical questions. This is almost ”not