本文聚焦20世纪70年代末诞生的耶鲁派大屠杀创伤研究。其学术代言人肖莎娜·费尔曼和凯西·卡鲁思分别提出文学证据论和跨学科的人文阐释理论,批判西方现当代文化的原生性创伤,揭示创伤与文学乃至文化再现之间的表征危机。耶鲁创伤研究派的发展表现出典型的两栖性:以“大屠杀幸存者视频工程”为社会基础,以耶鲁解构理论为范式基础;同时以大学和社会公共空间为温床;同时争取理论话语权和公共空间话语权。 This article focuses on the Yale Massacre trauma studies that were born in the late 1970s. His academic spokespersons Shana Fellman and Casey Carussi respectively put forward the theory of literature evidence and interdisciplinary theory of human interpretation, criticizing the original trauma of modern and contemporary western culture, and revealing the relationship between trauma and literature as well as cultural reproduction Characterize the crisis. The development of the Yale Trauma School shows a typical amphibious nature: based on the “Holocaust Survivor Video Project” as the social basis and the Yale deconstruction theory as the paradigm; at the same time, universities and social public spaces are used as hotbeds; meanwhile, theoretical discourse is sought Right to speak and public space.