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中国花鸟画受中国传统哲学思想的影响十分深刻,与古代诗歌有着密不可分的联系,正所谓“诗中有画,画中有诗”。中国花鸟画虚实关系,遵循了中国传统哲学思想。像“有无”“色空”“阴阳”“虚虚实实、实实虚虚、虚中有实、实中有虚”等哲学思想,无不反映了世界万物正反两个方面的对立统一。而中国花鸟画也充分体现了这种哲学思想。虚实关系无时无刻不影响着中国花鸟画,而虚实关系在中国花鸟画中的影响也是其他任何绘画因素都无可比拟的。
Chinese flower and bird painting is deeply influenced by Chinese traditional philosophical thought and is inextricably linked with ancient poetry. The so-called “painting in the poem and poem in the painting” is the Chinese flower and bird painting. The relationship between fiction and reality of Chinese birds and flowers follows the Chinese traditional philosophy. Such as “ ” “color space ” “yin and yang ” “virtual reality, virtual reality, virtual reality, virtual reality” and other philosophical thoughts, all reflect all the world Opposition and unity of the two sides. The Chinese bird painting fully embodies this philosophy. The relationship between the actual situation and the real situation does not affect the Chinese bird paintings all the time, but the influence of the false-reality relationship in the Chinese bird paintings is unmatched by any other painting factors.