读完吕志青的长篇新作《黑屋子》,有似曾相识的感觉,这倒不是说这部小说是他以前作品的重复,而是说《黑屋子》在不少地方沿袭了他固有的创作特点。他的不少作品都以知识人作为表现对象,侧重于探索他们的精神危机与内心扭曲,表现他们人格分裂的生存状态。就这方面而言,《黑屋子》与《南京在哪里》、《失去楚国的人》、《爱智者的晚年》、《黑暗中的帽子》等小说无疑属于同一系 It does not mean that this novel is a repetition of his previous works, but rather that “Black House” has followed his inherent creative features in quite a few places. Many of his works regard intellectuals as objects of performance, focusing on exploring their spiritual crisis and inner distortions and expressing their living conditions of split personality. In this respect, novels such as “Black House” and “Where is Nanjing”, “people who lost Chu”, “old age of loving man”, “hats in the darkness” undoubtedly belong to the same system