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在本谈话中,格林布拉特回顾了自己学术生涯中所受的形式主义、传统马克思主义和后结构主义的影响,以及自己是如何逐渐介入莎士比亚研究、从而在莎学研究中异军突起的;作为颇具盛名《诺顿文选》的第二任总编辑,他清晰地指出了《诺顿文选》和英语文学经典的建构和重构之间的关系,以及文选使用者在经典建构中的作用、经典的筛选机制和其中的商业因素等;他也谈到自己对缔造文化理论体系和重新阐释莎士比亚的新认识、文学批评与政治活动主义的关系、对“历史的文本性”的阐释和澄清等。最后,格林布拉特教授也对中国学界对新历史主义的批评和质疑做出了认真的回应。
In this conversation, Greenblatt recalled the influence of formalism, traditional Marxism and post-structuralism on his academic career, and how he gradually intervened in the study of Shakespeare to emerge as a distinct force in the study of Shakespeare. As a The famous editor-in-chief of Norton’s Wenxuan, he clearly pointed out the relationship between the Norton anthology and the construction and reconstruction of the English literary classics, as well as the role of the anthology of candidates in classics construction. The classic screening Mechanism and commercial factors among them. He also talked about his interpretation and clarification of “the text of history ” and other aspects of his creation of a theoretical system of culture and reinterpretation of Shakespeare’s new understanding, literary criticism and political activism. Finally, Professor Greenblock also gave a serious response to criticisms and questions raised by Chinese academics over neo-historicism.