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“建筑学在十字路口”,“建筑领域爆炸了”,“建筑学往何处去”,“建筑……”说不清从哪一天开始,类似的字眼在建筑讨论会、讲坛、报刊杂志上出现,并越来越多。给人的感觉是建筑学正在一片混乱中,不见出路。情况确实有些特别,我们且回到七十年代中期看看。一、问题的提出 1975年秋,纽约现代美术馆举办了一次巴黎美术学院19世纪作品展览。这个展览具有极不寻常的意义。它表明在刚刚过去的一些年里,人们在价值观上发生了一些转变。从上个世纪末以来,
“Architecture is at a crossroads,” “Architecture is exploding,” “Architecture is where to go,” and “Architecture...” It’s not clear from which day, similar words are used in architecture seminars, pulpits, newspapers and magazines. There are more and more. The impression is that architecture is in chaos and no way out. The situation is indeed something special. Let’s go back to the mid-1970s. I. Proposal of the Problem In the autumn of 1975, the New York Museum of Modern Art held a 19th-century exhibition of the Paris Academy of Fine Arts. This exhibition is of extraordinary significance. It shows that in the past few years, people have undergone some changes in values. Since the end of the last century,