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在历史决定论的宏大叙事中,民间艺术如同古希腊神话,存在于特定的历史阶段,最终只会作为文化遗产留存于人类的记忆中。其实,民间艺术作为生活的艺术具有自我更新能力,会不断产生新的形态;其次,当代文化认同的群落化为民间艺术的现代传播提供了新的契机,民间艺术已经衍生出了丰富的当代形态;此外,在非物质文化遗产保护实践中,出现了各种文化生态保护区,为那些无法适应大环境变迁,又有着独特价值的民间艺术建构了一个嵌入型的文化生态壁龛,可以保障其在现代社会中活态延续。
In the grand narrative of historical determinism, folk art, like ancient Greek mythology, exists in a specific historical stage and will eventually remain as a cultural heritage in human memory. In fact, folk art as a living art has the ability of self-renewal and will continuously produce new forms. Secondly, the contemporary cultural identity of the community provides a new opportunity for the modern spread of folk art, folk art has derived a rich contemporary form In addition, in the practice of the protection of intangible cultural heritage, various cultural and ecological protected areas have emerged, and an embedded cultural ecological niche has been constructed for those folk arts that can not adapt to the changing of the environment but have unique value, so as to protect their Live in modern society.