文艺评论即审美。一切文艺评论皆为审美活动、审美过程的凝冻与固化,其中至为关键的,正是审美、赏评。既为审美,必有其标准与尺度,关乎美学与鉴赏;亦必有其路径与方法,关乎文体与写作。古代文艺批评如斯,当代文艺评论亦然。一、中古“知音论”:当代文艺评论的历史借镜中古“知音论”是中国古典文艺理论中最重要的理论建树之一。作为中国古代文艺批评鉴赏论,知音论发轫于汉末,肇始于魏晋,兴盛于 Literary criticism that aesthetic. All literary criticisms are aesthetic activities, the freezing and curing of the aesthetic process, of which the most crucial is the aesthetic appreciation. Not only aesthetic, must have its standards and standards, related to aesthetics and appreciation; also must have its path and method, related to style and writing. Ancient literary and art criticism so, contemporary literary criticism. I. Middle Ages “Philosophical Theory”: The History of Contemporary Literary Criticism Through the Middle Ages “phonetic theory” is one of the most important theoretical achievements in Chinese classical literary theory. As an ancient Chinese literary criticism Appreciation Theory, phonetics originated in the late Han Dynasty, originated in Wei and Jin, flourished in