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在第五届全国少数民族文艺会演中,西藏代表团选送了新编现代藏戏《六弦情缘》和现代民族舞剧《太阳的女儿》。有意味的是,两台西藏戏剧不约而同地通过一个农奴女的命运折射了西藏的当代历史。西藏当代史叙事其实具有和主流历史叙事相统一的框架,但西藏当代史叙事历来有两种写法,一种是作为中国西南边疆的少数民族省份,在中华民族波澜壮阔的现当代历史脉络里所呈现的历史,突出了这种历史在构建中华民族现当代历史过程中所承担的角色;另一种写法是把西藏看做古老民
In the Fifth National Minority Arts Festival, the Tibetan delegation sent a new series of “Six Strings of Love” and modern national ballet “The Daughter of the Sun”. What is interesting is that both Tibetan dramas invariably reflected the contemporary history of Tibet through the fate of a serf woman. The narrative of contemporary history in Tibet actually has the same framework as the mainstream historical narratives. However, the narrative of contemporary contemporary history in Tibet has always been written in two ways. One is the ethnic minority province that serves as the frontier of southwest China and is presented in the magnificent modern history of the Chinese nation History, highlighting the role of this history in the process of building the modern history of the Chinese nation; another way is to look at Tibet as an ancient people