在喧闹的文坛,刘震云是个不可多得的人才,贾平凹把他归为“富有创意的、生活气息浓郁的鬼马作家”。他的长篇小说有《故乡天下黄花》、《故乡相处流传》、《一腔废话》等。中短篇有《塔铺》、《新兵连》、《一地鸡毛》等。他的作品不仅在现实中获得众多奖项,在网络上也有很高的声望,可以说是二十世纪影响力重大的作家之一。“权力”一词,一是指法令、二是指权威。刘震云属于对生活有着独特的切入点,并且迅速形成独特风格的作家。本文认为权力意识是他切入生活的独特方式。关注权力压制和“小人物”的生存困境成为作家表达重心。评论家陈思和说:“刘震云真正写出了一个社会生存中人人都会认同又都会感到无奈的人间。”“官场”系列小说深入剖析了权力社会的弊端,就算拿到当下品读,也都是十分接“地气”的作品。《单位》、《一地鸡毛》、《官人》、《官场》、《温故一九四二》等佳作相继问世,作家的作品开始被大家所熟悉,好评如潮,被评论界冠以“新写实主义干将”、“新写实主义旗手”。但是作家本人并不买账,“很讨厌把我和流派放在一块,说成是新写实主义代表,我觉得这是一种非常封建、低级的做法。我不知道外国评论家是不是把一批作家弄在一块儿,像包办婚姻似的,其实作家之间也有很大不同,层次也根本不同,衡量现代派先锋派,只看他的表皮形式,看看是使用什么语言、什么形式、意识流不意识流、心理现象不心理现象、潜意识不潜意识,这是很浅薄的。”1从权力批判角度去分析和阐释刘震云的小说,有很多很好的例子值得借鉴,很多研究者都敏锐的察觉到作家作品中强烈的权力批判意识,因此,本文就从权力批判的角度,认真的对刘震云的“官场”系列小说进行探究。 In the noisy literary world, Liu Zhenyun is a rare talent, Jia Pingwa classified him as “creative, life-rich ghost writer ”. His novels are “Hometown Yellow Flower”, “Hometown get along well”, “One Chamber nonsense” and so on. In the short story, “pagoda”, “recruit even”, “a feather” and so on. His work not only won numerous awards in the real world, but also has a high reputation on the Internet. It can be said that one of the influential writers in the twentieth century. “Power ”, one refers to the decree, the second refers to the authority. Liu Zhenyun belongs to life has a unique entry point, and the rapid formation of a unique style of writer. This paper argues that the awareness of power is his unique way of life. Concerned about the power of repression and “little people ” survival predicament became the writer to express the center of gravity. Critics Chen Sihe said: “Liu Zhenyun really wrote a world where everyone will agree and feel helpless. ” “Officialdom ” series of novels in-depth analysis of the disadvantages of power society, even get the current product reading, Also are very pick “” gas “works. The works such as ”Unit“, ”One Country Feather,“ ”Officials“, ”Officials“, ”Wenxu 1942“ have come out in succession. The works of writers are beginning to be familiar to everyone, rave reviews, ”The new realist“, ”new realist flag bearer.“ But the writer himself did not buy it, and ”I hate putting myself and the genre together as a new realist representative, and I think this is a very feudal and inferior practice. I do not know whether foreign critics put one Batch writers get together, like arranged marriage, in fact, there are also very different writers, levels are fundamentally different, measure the modernist avant-garde, just look at his skin form to see what language is used, what form, There is a lot of good examples from Liu Zhenyun’s novels about analyzing and explaining Liu Zhenyun’s novels from the angle of critique of power. Many researchers Keenly aware of the author’s works strongly criticized the power of consciousness, therefore, this article from the perspective of the power of criticism, seriously Liu Zhenyun’s “officialdom” series of novels to explore.