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公元1996年5月22日,对处于摸索状态的中国当代书坛来说,是一个非同寻常的日子.这一日子给中国书法界乃至整个文化学术界所产生的深远影响将是不可估量的.当人们怀着迫切的心情走进山东省美术馆展览大厅,步入那片空灵博大的孔孚天地,一波波阵发之灵气迎面扑来时,每个人的心中都不同程度地感受到一种震憾.人们发现他们正面对着一个崭新的世界,这个世界既便在想象中也不曾存在过,而且从自己的心灵之眼和它遭遇的那一瞬间起,它就掸击着自己生命中一些固有的观念,并迅速给生命带来了某种秩序上的紊乱.以致一位看过孔孚书展的著名设计家慨言:“看了孔先生的大作,写字的不知道该怎么写,画画的不知道如何画,评论家失语了.”
On May 22, 1996, it was an extraordinary day for the contemporary Chinese calligraphy book in a state of groping, and the far-reaching impact on Chinese calligraphy and even the entire cultural and academic world will be immeasurable. When people walked into the exhibition hall of Shandong Art Museum with an urgent mood and walked into the emptiness and magnificent world of Kongfu, when a wave of Aura came in, everyone felt their hearts to varying degrees A kind of shock.People discover that they are facing a brand new world which has not existed even in imagination, and from the eye of one’s soul and the moment it encounters, it shakes itself Some of the inherent notions of life quickly brought disordered order to life, so one famous designer who had seen the Confucius book fair made the following statement: "After reading Mr. Kong’s masterpiece, I did not know how to write Write, draw do not know how to draw, critics aphasia.