最近,文化部负责同志一再强调“导演就是袁伟民”,刘厚生同志也提出没有编导的演出便是“没有灵魂的演出”。真是一语道出了问题的实质。如果各有关方面都有这种认识,对于改进导演队伍,振兴戏剧事业都将起到有力的推动作用。但是,在好些文艺团体里,至今对于导演问题不但未引起重视,甚至有无导演似乎还是个尚待明确的问题。经常可以看到千军万马抓剧本,而对导演工作却很少有人过问;一块报纸 Recently, the responsible comrades of the Ministry of Culture have repeatedly emphasized that “the director is Yuan Weimin,” and Comrade Liu Housheng also proposed that no director’s performance be “a soulless performance.” Really is the language of the essence of the problem. If all parties concerned have this understanding, it will play a powerful role in promoting the director’s team and rejuvenating the theater. However, in many literary and art circles, not only the issue of director has so far received little attention, even the absence of a director seems to be still an issue that needs to be clarified. Often you can see a multitude of men and women to capture the script, but the work of the director is rarely asked; a newspaper