中国花鸟画历来是由宫廷供奉为主的院体工笔画与文人逸士为主的写意水墨画这两大流派主导的。尽管历来有调和两派小写意,或为没骨法、或将工笔与写意两种手法融为一体等种种尝试,但都未能形成主流。院体工笔画崇尚雍容华贵之帝王气象,而写意水墨画则推崇野逸洒脱之文人风骨。两派自有宋以来代不乏人,部有不少名家大师。但总 Chinese flower-and-bird paintings have always been dominated by the two genres, the court-inspired Chinese painting and the literati-based ink painting. Despite all the attempts made to reconcile the two schools with small freehand brushwork, no-bone method, or the combination of fine brushwork and freehand brushwork, they have failed to reach the mainstream. The bodywork strokes advocating grace and elegance of the imperial meteorological, and freehand brushwork respected wild Yeh free of literati style. Since the two factions own Song no shortage of people, there are many famous masters. But always