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题壁文学在宋代得到了较好的发展,并成为文人雅士文化生活中不可缺少的一部分,而辛弃疾本人也创作了数量不少的题壁词。不难发现,辛弃疾的题壁词创作动机包括自抒胸怀、应他人所请和应酬客套,不同动机而创作的作品呈现出不一样的风格和特点:在题材内容方面,辛弃疾的题壁词更趋多样化,家庭琐事和抒发历史兴亡感的作品出现,无疑进一步拓展了原来单一的写景抒情题壁词;作品风格也不再囿于实景描绘而采用随意笔法避实入虚,运用想象和联想将所题之物神话化,这使得辛弃疾的题壁词自成一体。
The title wall literature got a good development in the Song Dynasty, and became an indispensable part of the literati’s cultural life. However, Xin Qiji himself created a large number of wall words. It is not difficult to find that Xin Qiji’s motive of writing motifs includes self-expression, different styles and characteristics of works created by different people with different motives and should be invited by others. In the content of the subject, Xin Qiji’s motifs are more diverse The family trifles and the expression of the sense of historical rise and fall of the emergence of the undoubtedly further expand the original single writing lyric lyrics; writing style is no longer used to describe the real and use freehand brushwork to avoid the virtual, the use of imagination and the association of the title The myth of things, which makes Xin Qiji’s wall words self-contained.