现在对作品似乎是不能说不好,演得如何拙劣,也得说好才行。当前电影表演学术交流气氛并不浓厚,没有几个人能够真正地在实践中腾出时间来坐下讨论和研究表演问题。几年前,在为一部有相当影响力的影片开的表演研讨会上,方方面面的专家都来了,大家热情发言,最后男主角讲话,他第一 Now it seems that the work can not be said to be bad, how crooked performance, have to say good job. There is not a strong atmosphere for academic exchanges in the current film shows, and few people can really spare time in practice to sit down to discuss and study performance issues. A few years ago, at a performance seminar for a very influential movie, experts from all fields came and everyone spoke passionately. At the end of the speech,