论文部分内容阅读
一、分析缘起如何有效地对一部音乐作品进行解读?这是长久以来困扰着音乐学家们的问题。约瑟夫·科尔曼认为“分析作为一种形式主义批评,并不处理完整研究音乐时所必须面对的所有或至少是许多的问题。”①因此“对待音乐风格的细节分析,其目的不应该去获取一个时期的规范的(音乐本体)证据,而应该去获取特定音乐作品的艺术特征与个性的背景证据,音乐学当以批评为取向……”②我国于润洋先生则认为“对一部历史上的或是当代的音乐作品所作的
First, the analysis of origin How to effectively interpret a musical piece? This is a problem that has long plagued musicologists. Joseph Coleman argues that ”analysis, as a formalist critique, does not address all, or at least many, problems that must be confronted with when it comes to the complete study of music.“ ”Therefore,“ a detailed analysis of musical styles that The purpose should not be to obtain normative (musical ontological) evidence of a period, but rather to obtain background evidence of the artistic characteristics and personality of a particular piece of music, and musicology should be criticized as its orientation. ”② In our country, Mr. Yu Runyang Think "for a historical or contemporary music made