马致远是公认的元曲大家,曾瑞声望虽不及之,亦同样驰誉元曲殿堂。二位散曲创作既呈现出题材丰富,内蕴悲情的共同特征,又有因各自出身、经历、价值取向不同而造成的差异。概而言之,马致远散曲主要表现失意儒生的牢骚悲愤,曾瑞散曲多是抒发市井平民的潇洒放荡。马、曾可看作元曲两个不同创作群体的代表,也从侧面折射出元代社会生活的多姿多彩。 Ma Zhiyuan is widely recognized as the yuan, Zeng Rui reputation not as good as, but also well-known Yuan Qu hall. The two Sanqu creation not only shows the common features of rich themes and intrinsic sadness, but also the differences caused by their different origins, experiences and value orientation. In a nutshell, Ma Zhiyuan’s Sanqu mainly shows grievances and grievances of frustrated Confucian scholars. Zengrui’s Sanqu songs mostly express the ease and indignity of ordinary civilians. Ma, once regarded as the representative of two different creative groups of Yuan Qu, also reflected from the side the colorful life of the Yuan Dynasty.