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《包法利夫人》是法国19世纪著名批判现实主义作家福楼拜的代表作品,也是世界小说文学史上的叙事典范。从现代对该部作品的文学评论来看,研究学者们大多着眼于福楼拜批判现实主义的创作原则,站在客观角度品鉴人物形象、后现代主义本源以及作品所体现的女性形象、小说所揭露的社会的黑暗和欲望的祸端以及对自由幸福美好爱情的追求。本研究着眼于福楼拜诗化现实的叙事策略,论述这一部现实主义和浪漫主义并存的悲剧所包含的深刻内涵,层层剖析这部作品所体现的深刻价值。
“Madame Bovary” is a representative work of Flaubert, a well-known French writer of critical realism in the 19th century, and a model of narration in the history of world fiction literature. Judging from the modern literary criticism of the works of the Ministry, most of the scholars focus on the creative principle of Haute Horlobe’s criticism of realism, from the objective point of view of characterization, the origin of postmodernism and the images of women embodied in the works Exposed the dark side of society and the scourge of desire and the pursuit of a beautiful, free, happy, and beautiful love. This study focuses on the narrative strategy of Flaubert’s poetic reality, discusses the profound connotation contained in this tragedy of coexistence of realism and romanticism, and analyzes profoundly the profound value embodied in this work.