每一个人都眷恋自己的故乡,每一个人对自己的故乡都怀有无尽感激之惰,对于画家而言,乡情又是取之不尽、用之不竭的灵感源泉,其蕴含的诗意既古老又富有新意,它甚至以最古老杳远的联想形式,维系着现代人的情感形式。在中国文化中,故乡以淳厚、炽热、坚毅的气质而被人偏爱,它常常被人格化,并以此为特点而体现出独特的诗境。 达斡尔族画家吴团良,自幼便生活在草原,成长在马背上,他深爱着自己的故乡,多年来,他把自己的艺术之根深植在 Everyone is nostalgic for his hometown. Everyone cherishes the endless gratitude of his hometown. For the painter, the nostalgia is an inexhaustible source of inspiration. The poetic implication of both Old and innovative, it even with the most ancient and far-reaching form of association, maintain the modern emotional form. In Chinese culture, the hometown is favored by the honest, glowing and persevering temperament. It is often characterized by personalization, which is characterized by its unique poetic conception. Da-Woo painter Wu Tuan-liang, who had lived in grasslands since childhood, grows on horseback. He is deeply in love with his hometown. Over the years, he has rooted his own roots in art