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曲牌,在中国民族民间音乐中占有相当重要的地位。民歌、歌舞、说唱、戏曲及器乐这五大类当中都大量使用了曲牌。可以说,没有曲牌,中国民族民间音乐的历史将会失去最光辉灿烂的一页。因此有关于曲牌的问题一直是音乐理论界相当重视的研究领域。许多前人在资料尽管匮乏的情况下,仍然在曲牌的界定、曲牌的历史发展等问题方面取得了可贵的研究成果。笔者将在前人研究成果的基础上,结合自身在《教坊记》所录曲牌的发现,对曲牌形成历史进行简单的梳理。
Tunes, occupies a very important position in Chinese folk music. Folk songs, song and dance, rap, opera and instrumental music are widely used in these five categories of songs. It can be said that without the tunes, the history of Chinese folk music will lose the most glorious page. Therefore, the question about Tunes has always been a research field that is valued by music theory circles. Despite the lack of information, many predecessors still achieved valuable research results in such issues as the definition of the tunes and the historical development of the tunes. Based on the research results of the predecessors, the author will make a brief review of the history of the formation of the tunes based on the findings of his own songs recorded in “Kefang Ji”.