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这是一位热爱中国和中国人的德国教授,一位蜚声国际的著名设计教育家对中国倾述的心曲。听听他对中国美术教育界的民族虚无倾向和对“国际”“全球化”的错误理解充满善意的尖锐批评。“老马”的批评让人想到19世纪末美国人费罗诺沙对全盘西化脱亚入欧的日本的批评,又让人想到20世纪初法国教授杨希斯对留学法国的林风眠研究中国的劝告。正是由于费罗诺沙和杨希斯的批评,促进了日本画的诞生和林风眠艺术上的转向。在今天,当中国人的民族自尊与自觉意识正被重新唤起之时,听听这位在中国直接担任设计教学20年的德国朋友的肺腑之言,我们好像又听到当年费罗诺沙和杨希斯的声音。
This is a German professor who loves China and the Chinese, a renowned international renowned designer educator devoted to China. He listened to his sharply well-intentioned and sharp criticism of the nation’s artlessness in Chinese art education circles and the misunderstanding of “international ” and “globalization.” The criticism of “Horses” reminds us of the criticism of Ferronosar from the United States at the end of the 19th century about Japan that totally delinked Western Asia into Europe. It is also reminiscent of the French Professor Yang Xizi who studied in France in the early 20th century. Advice It is because of the criticisms of Feronosar and Yangus that the birth of Japanese painting and the turning of Lin Fengmian’s art are promoted. Today, when the Chinese people’s national self-esteem and self-awareness are being rekindled, I heard the heartfelt remark made by this German friend, who directly took the design teaching in China for 20 years. We seem to have heard that when Fernand Sasha and Yang Xi Sri Lanka’s voice.