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中国古老大地,孕育了富有特色的优秀艺术。但如果把中国传统文化放在世界范围里加以考察,便不难发现在其成长过程中,获取的不仅仅只是本土的营养。从浅显的角度观察,中国佛教艺术的形成和发展,不就是起因于印度;唐代的国势强盛又可从三彩陶瓷感悟到中亚文化造型与纹饰的风采;回眸明式红木家具这一中华民族文化之经典时,我们又会不时惊叹隐藏在图案纹样中的西方印记—“西番莲”的精美。
China’s ancient land, gave birth to the distinctive characteristics of the fine arts. However, if we look at the traditional Chinese culture in the world, we can easily find out that it is not just native nutrition that is gained during its growth. From a superficial point of view, the formation and development of Chinese Buddhist art do not originate in India. In the Tang Dynasty, the momentum of the country was strong and the cultural style and ornamentation in Central Asia were perceived from the three-color ceramics. Looking back at the Ming mahogany furniture, When the classic culture of the nation, we will from time to time again marvel at the hidden Western pattern in the design of the pattern - “Passiflora” beautiful.