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三、雕版印刷的最初形式——佛像雕印 佛教印刷品历来图文并重,单页的经咒、还愿词,或上图下文,或右图左文,有的佛像刻在中间,还有的刻在四周,各种装帧形式的整部佛经,乃至卷帙浩繁的《大藏经》,也常以“佛说法图”开卷。我们不妨把这种现象再向前推进一步:佛像雕印要比佛经雕印更早,捶拓和印章的结合点即是佛像,其时约在7世纪初期,文献和实物均可提供有力的证明。 张秀民先生力主“贞观说”,主要依据有两条,其中之一是明邵经邦《弘简录》中记载,贞观十年(636
Third, the initial form of engraving printing - Buddhist statues carved Buddhist print has always been both graphic and textual, single page of the curse, also wish words, or the figure below, or the right of the left, some statues carved in the middle, as well as engraved Around, all kinds of binding forms of the entire Sutra, and even voluminous voluminous “Tripitaka”, but also often “Buddha said map” open book. We might as well take this phenomenon one step further: Buddha statue engraving is earlier than the Buddha engraving, and the point of combination of the hammering and the seal is the Buddha statue. In the early 7th century, both the literature and the real objects could provide powerful prove. Zhang Xiumin advocated “Zhenguan said”, mainly based on two, one of which is Ming Shao Jingbang “records” recorded in Zhenguan ten years (636