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本文在巴赫金的狂欢化理论的基础上 ,论述了莎剧《安东尼与克莉奥佩特拉》中的狂欢化因素。贯穿全剧存在着代表官方文化的罗马世界和代表民间文化的埃及世界的二元对立
On the basis of Bakhtin’s carnivalization theory, this article discusses the carnivalization factors in the plays of Anthony and Cleopatra. Throughout the play there exists a binary opposition between the Roman world representing the official culture and the Egyptian world representing folk culture