唐代诗文创作接受屈宋辞赋影响之迹甚明,考察其接受之地域性可从两方面见其梗概,即楚地本土作家与过境楚地或留滞于楚地的作家在诗文创作中接受屈宋各有特色。前者多因生于楚地而产生的情感认同而接受屈宋,后者多因楚地风物感发其怀土伤志之思,进而激活其胸中所储之楚骚意象而接受屈宋。 In the Tang Dynasty, the poetic creations of the Tang and Song dynasties accepted the influence of Qu Song and Song dynasties very well. Examining the territorial acceptance of the poetic creations in Tang Dynasty can be seen from two aspects: that is, the writers of the Chu native writers, Song has its own characteristics. Qu Yuan and Song Song were mostly accepted by the former because of their emotional identities born in the Chu. The latter were mostly influenced by Chu style of gentility and thought of their wounded earthly wounds, which in turn activated the image of Chu Sao stored in his chest and accepted Qu Song.