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当下画坛是一个多元并行的时代,各种画风、画派、观点,可谓众彩纷呈。而关于文人画的论争,经过近一个世纪的演进,在消停一段时间后,最近在南北画坛似乎有重兴之势。有自我标榜者,也有群起针砭者。纵观群龙并起的各地画坛,的确有真文人画在,也不乏伪文人画。关键是怎样来界定真伪,谁来定义什么是真正文人画,以及文人画在现代文化语境中的生存状态。
The current art scene is a multi-parallel era, all kinds of style, school, viewpoints can be described as colorful. As for the controversy over literati painting, after a period of de-cease-and-desist for some time after nearly a century of evolution, there seems to be a tendency to rekindle the recent plot in the North and the South. There are self-advertised, there are groups of people from the needle. Throughout the Dragon and all over the local art scene, there are indeed literati painting, there is no lack of pseudo literati paintings. The key is how to define authenticity, who define what is real literati painting, and the living state of literati painting in modern cultural context.