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带有抗战情结的日用品在宣传的表现形式上具备一定的艺术倾向,形成了独具特色的抗战时期“大众性”艺术风格。作品以当时最为广泛流行的“香烟盒”、“瓷器”、“火花”、“报纸”以及“家具”等日用品为载体,使人强烈地感受到积极抗战的决心和与这一时代相适应的生活气息。在当下语境中,以日用品艺术为切入点,追忆抗战时期中国美术的历史与文化价值,对激发当代中国艺术家的民族责任感和创作激情,思考和建构中国当代“大众化”的艺术形态具有重要的启发性和现实性意义。
The daily necessities with the anti-Japanese war complex have certain artistic tendencies in the manifestations of propaganda and form the unique “mass ” artistic style during the War of Resistance Against Japan. The works were popularly based on daily necessities such as “cigarette box”, “porcelain”, “sparkle”, “newspaper” and “furniture” Determination and the life style that suits this era. In the current context, taking the art of daily necessities as the breakthrough point, we can recall the historical and cultural values of Chinese art during the War of Resistance Against Japan. It is of great significance to inspire the contemporary Chinese artists’ sense of national responsibility and creative passion, to think and construct the contemporary Chinese art of ’popularization’ Important instructive and practical significance.