张桃洲博士的《现代汉语的诗性空间》一书(北京大学出版社2004年版)第一次引进了“话语”理论,对20世纪新诗的问题与现象进行有效地观照,超越了以往研究中用“主义”、“流派”给新诗分类所造成的简化诗史、简化诗作的倾向,还原了新诗的复杂性和诗人及作品的丰富性,并试图在此 Dr. Zhang Taozhou’s “Poetic Space in Modern Chinese” (Peking University Press, 2004) first introduced the theory of “discourse” to effectively examine the problems and phenomena of new poetry in the 20th century and surpass the previous research The “genre” and the “genre” have simplified the history of poetry and simplified the tendency of poems caused by the classification of new poems, restored the complexity of new poems and the richness of poets and works,