笔者对于汉代音乐史料中的徽字涵义和琴徽形成年代的探讨,曾蒙饶宗颐先生《说琴徽》一文的指教,使问题得到热烈的讨论。今饶先生又发表《说(弓勺)兼论琴徽》(载《中国音乐学》1989年第3期),对拙作《再谈徽字与徽位》(载《中国音乐学》1988年第3期)中关于枚乘《七发》李善注的看法提出否定意见,认 The author of the Han Dynasty music historical meaning of the logo and the era of the formation of the piano emblem, has been Meng Rao Zongyi “that piano emblem,” the text, so that the issue was heated discussion. Mr. Jin Rao also published a speech entitled “Bow and spoon on both sides of the piano” (containing “Chinese Musicology”, 1989, No. 3) No. 3) on the plate by “seven fat” Li Shan’s views put forward a negative opinion, recognition