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本文旨在从美术史意义上探讨抽象水墨这一曾经活跃的艺术现象与风格形态。通过具体范例的分析,凸显其精神内核:一方面,抽象水墨把西方现代、后现代艺术的观念性表达同中国水墨表现的特质结合起来;另一方面,通过图式化的语言与这一群体对于学术性的苦心孤诣的追求,终于使抽象水墨在当代美术史中找到了自己的一席之地。
The purpose of this paper is to explore the once vibrant art phenomenon and style of abstract ink and wash from the artistic history. On the one hand, abstract ink painting combines the conceptual expression of modern and postmodern western art with the characteristic of Chinese ink performance; on the other hand, through the combination of schematized language and this group For academic painstaking pursuit, finally make abstract ink and wash in the history of contemporary art to find their own place.