以《百家讲坛》、《世纪大讲坛》、《中华世纪大讲堂》为代表的讲坛类电视节目已经度过世纪之交刚刚诞生时的惊奇与兴奋,逐渐以成熟的形态在荧屏上拥有了一席之地,被人们称为“电视讲坛现象”或“新说书运动”。然而,讲坛类节目在传播学家、社会学家,包括作为演讲主角的各学术大师等诸多社会群体中引起的震撼与争论却并未平息。本文不拟再去评说节目的是是非非,而是以中国改革开放30年作为现实语境,以当前人们热议的讲坛类节目为个例,从社会学、文化学、经济学等视角去分析当今电视节目所面临的繁荣与困境。具体而言,本文将围绕两个问题展开分析:讲坛类电视节目的 The pulpit-class television programs represented by “100 Lecture Room,” “Century Lecture Room,” “China Century Lecture Hall” have passed the surprises and excitements at the turn of the century just as they were born, and have gradually gained a mature form on the screen A place, known as the “television forum phenomenon” or “new story movement.” However, the pulpit-related programs have not subsided in the shocks and controversies that have arisen among many social groups, including communication scholars, sociologists, and academic masters, including the lead protagonists. This article does not intend to talk about the program is right and wrong, but to China’s reform and opening up 30 years as a context of reality, the current hot discussion of pulpit programs as an example, from sociology, culture, economics and other visual angle Analyze the pros and cons of today’s TV shows. Specifically, this article will focus on two issues to analyze: pulpit-based television programs