野火烧不尽春风吹又生当殖民主义在亚洲、非洲、拉了美洲的许多国家横行霸道时,不少民族的舞蹈艺术遭到严重摧残。新老殖民主义者为了保持他们对殖民地和半殖民地人民在经济和政治方面的统治地位,还不遗余力地进行文化侵略。在被占领的国家和地区,一方面,他们竭力限制和取缔当地人民的传统文化艺术;另一方面,与当地人民格格不入的西方文化艺术则充斥于市,强占地盘。在非洲,他们把那里的土著舞蹈骂成是“原始的”、“野蛮的”、“落后的”,同时又把西方没落艺术中的颓废、色情归咎于非洲民间艺术。在东南亚和拉美许多国家,殖民主义的文化渗 When the wild fires blow through the spring, colonialism in many countries in Asia, Africa and Latin America is rampant. Many ethnic dancers have been severely damaged. In keeping with their economic and political dominance of the colonial and semi-colonial peoples, the old and new colonialists spare no effort in carrying out cultural aggression. In the occupied countries and regions, on the one hand, they are making every effort to limit and ban the traditional culture and arts of the local people. On the other hand, Western culture and art, which are incompatible with the local people, are flooding the city and seizing territory. In Africa, they cursed indigenous dance there as “primitive”, “savage” and “backward”, at the same time attributing the decadence and pornography in the decline of the West to African folklore. In Southeast Asia and many Latin American countries, the cultural infiltration of colonialism