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美学家宗白华先生说:“汉末魏晋六朝是中国政治上最混乱、社会上最痛苦的时代,然而却是精神极自由、极解放、最富于智慧、最浓于热情的一个时代。因此。也是最富有艺术精神的一个时代。”真正意义的山水画也正是产生于此时。东晋顾恺之在《论画》中推举“凡画,人最难.次山水”。文中的“山水”正是魏晋六朝时期的山水画,魏晋山水画对后世绘画艺术尤其是文人画的萌芽、发展、成熟、演进及创作精神都产生了积极而深远的影响。迈珂·苏立文说:“如果要谈欧洲风景画,可以不涉及政治、哲学或画家的社会地位。读者已有足够的历史知识进行欣赏了。因为,有没有读
Mr. Zong Baihua, an aesthete, said: ”The late Han, Wei, Jin and the Six Dynasties were the most chaotic and socially most painful times in politics in China. However, they were extremely spiritual, liberated, intelligent and enthusiastic Era, therefore, is also an era of the richest artistic spirit. “It is exactly at this time that the real landscape painting came into being. Gu Kai in the Eastern Jin Dynasty in the ”theory of painting“ in the ”Where painting, the hardest people. The “landscape” in the text is just the landscape painting in the period of Wei, Jin and Six Dynasties. The landscape painting of Wei and Jin Dynasties has a positive and far-reaching impact on the sprout, development, maturity, evolution and creative spirit of the later period painting art especially the literati painting. Michael Sullivan said: "There is no political, philosophical, or artist social status to talk about European landscapes.