由传统社会向现代社会的转换时期,豫剧面临着与新的时代、新的观众和新的意识的接轨,因而必须从根本上弥合豫剧与时代精神、与群众新的审美要求之间存在的差距。豫剧改革只注重音响、舞台、服饰、剧目等的改革还是远远不够的,唱腔尤其是男声唱腔的改革已成为豫剧改革的关键问题。“假声位置真声唱法”有效地解决了声音位置问题,可以使豫剧男声的音域、音色、吐字行腔等都得到较大改善。 From the transition from the traditional society to the modern one, the opera is confronted with the new era, the new audience and the new consciousness. Therefore, it is essential to bridge the gap between the opera and the spirit of the times and the new aesthetic requirements of the masses . Reform of the opera only focus on audio, stage, costumes, repertoire and other reforms is far from enough, singing, especially the male voice singing reform has become the key issue of the reform of opera. “False position real voice singing ” effectively solve the problem of sound position, can make the sound field, timbre, articulation of opera male voice have been greatly improved.