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南阳鼓词,中原民间说唱艺术曲种之一,因其演唱时起腔、落腔和拖腔都是用鼻子哼出来的而又被称为南阳鼓儿哼。其唱腔音乐、语言音韵在曲艺说唱艺术中独具一格,腔词结合关系变化尤为丰富。这种结合关系具体反映在音调、节奏、结构等方面,因而又分为“腔词音调关系”、“腔词节奏关系”和“腔词结构关系”三方面。这三者,我们称之为“三大腔词关系”。由于篇幅有限,本文着重只谈“腔词音调关系”和“腔词节奏关系”两个方面,“腔词结构关系”另篇再叙。
Nanyang, the Central Plains folk art of rap song, because of its singing from the cavity, the cavity and the drag chamber are hummed with the nose and called Nanyang Drum hum. Its singing music and language phonology are unique in the folk art of rap song. The combination of the words and the vocations is especially rich. This combination of relations reflected in the tone, rhythm, structure and so on, so it is divided into three parts: “the relationship between the word and the tone”, “the relationship between the rhythm of the word” and “the relationship between the structure of the word”. These three, we call it “the relationship between the three cavity words.” Due to the limited space, this article focuses only on the two aspects of “the relationship between tone and tone” and “the rhythm of words”.