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镜头、场景空间、音乐、光线色彩探究迈克尔·哈内克“极简主义”风格的同时,阐释了关于爱情、死亡、尊严纠缠与抉择的主题;解读了哈内克电影式的不同于以往作品的一场关于爱与尊严、死亡冲突下的“暴力”特征;导演将矛盾、人人可能无法规避的现实问题赤裸裸地呈现。不论是导演巧妙的隐喻符号,还是冷酷开放式结尾引发的思考,这部看上去更像纪录片的电影,仿佛张开了所有毛孔,告诉大家:“身体或许已死,但爱的期望永恒”。
The theme of love, death, dignity, entanglement and choice is explored while exploring the style of “minimalism” of Michael Haneke, as well as the scenes, scenes, music, and light colors. A feature of past works on love and dignity and under the “death and violence” conflict; the director exposes the contradictions and the realistic problems that all can not avoid nakedly. Whether it’s the director’s ingenious metaphorical signs or the reflections of a cold, open-ended ending, this seemingly more documentary movie seems to have opened up all the pores and told everyone: “The body may have died, but the love of eternity is everlasting ”.