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“孵蛋”的行为从1989年的中国美术馆、绵延到今天的鸟巢和国家大剧院,艺术家张念作为当年“八九艺术大展”的代表人物之一,与中国现代艺术的发展变革纠缠在了一起
The practice of “incubating eggs” stretches from the National Art Museum of China in 1989 to today’s Bird’s Nest and the National Grand Theater. The artist Zhang Nian, one of the representatives of the “1989 Art Exhibition” and the contemporary Chinese art The development of change entangled together