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尤金.奥尼尔从古希腊神话传说中汲取悲剧因素,并把它移植到现代环境中,对现代西方文明所造成的人类精神的异化,以及新大陆清教文化对人性的摧残进行了彻底的批判。本文从原型批评的角度解读《悲悼》,指出该剧之所以有经久不衰的生命力,主要是因为它蕴涵了各种原型意象:悲剧主题的复仇原型,悲剧情节的乱伦原型,悲剧人物的人格原型和悲剧社会的道德原型。
Eugene O’Neill draws tragedy elements from ancient Greek myths and legends and transplants it to the modern environment. He completely criticizes the alienation of human spirit caused by modern Western civilization and the destruction of human nature by the New World Puritan culture. This article interprets “mourning” from the perspective of archetypal criticism and points out that the reason why the play has enduring vitality is mainly because it contains various archetypal images: the archetype of the tragedy, the incest archetype of the tragedy, the personality of the tragedy Prototypes and moral prototypes of tragedy society.