在新时期戏剧发展的不同阶段,人们一再地反躬自问,戏剧艺术是什么?我搞的是戏剧吗?对于搞了几年、十几年、几十年戏剧的人来说,重提这类问题既有些荒谬感,又不无合理性。荒谬的是,确实有不少人除了把戏剧当作现实生活的反映,当作政治颂扬与政治批判的武器之外,不知艺术为何物;合理的是,人们总是在不同时期从不同的认识层次上反复地探讨同一问题。探究戏剧自身“存在的现实”的问题,属于本体论范围。那么,戏剧作品作为戏剧艺术存在的基本形式之一,它的形象体系是由什么构成的呢? In different stages of the development of drama in the new period, people repeatedly ask themselves questions about what theatrical art is, and do I play the drama? For those who engage in drama for years, decades, and decades, repeat this The class problem is both ridiculous and unreasonable. What is ridiculous is that indeed many people do not know what the art is other than treating the theater as a reflection of real life and as a weapon of political glorification and political criticism. It is reasonable that people always differ from one another at different times The same issue is explored repeatedly at the level. To explore the drama itself, “the reality of existence,” belongs to the scope of ontology. So, drama as one of the basic forms of the existence of drama, its image system is composed of what?