论文部分内容阅读
音乐文化中,边缘与中心的冲突突出表现为西方强势音乐文化霸权与非西方弱势音乐文化抗争。在冲突中诞生的音乐人类学对边缘音乐文化价值重新肯定的学科观念,某种意义上打破了音乐文化中心与边缘的二元对立,提供了多元音乐文化平等对话的思路。音乐人类学在其学科发展中对音乐文化冲突的消解,突破西方强势音乐文化为中心的观念,使音乐文化中强势和弱势、中心与边缘在地位和力量上趋于平等、均衡。
In the music culture, the conflicts between the edge and the center are highlighted as the strong cultural hegemony of the west and the non-western disadvantaged music culture. Music anthropology, which was born in the conflict, re-affirmed the concept of marginal music culture. In a certain sense, it broke the binary opposition between the center of music and culture and the periphery, and provided the idea of equal dialogue in plural music culture. Musical anthropology in its development of the discipline of the elimination of the conflict of music and culture, breaking the Western music culture as the center of the concept of the strong and weak music culture, the center and the periphery tend to be equal and balanced in status and power.