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我在思考二十世纪中国音乐发展道路时，渐渐碰到一个难题，即近代、现代、当代中国音乐家在思考与解决中国音乐发展路向时怀有何种心态 ?是何种思维习惯和行为方式支配着他们的理论与实践 ?这种思维和行为模式有些什么特点，在历史上能否找到它的源头 ?……等等。本文就是作者
When I think about the development path of Chinese music in the 20th century, I gradually run into a problem that is what kind of mindset and mode of behavior modern, contemporary and contemporary Chinese musicians think and solve when developing Chinese music. Dominating their theory and practice? What are some of the characteristics of this pattern of thinking and behavior? Can history be found at its source? ... and so on. This article is the author